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Efe Obada Foundation · Brand story

Two Roots, One Letter

One letter that carries both of Efe's homes and the game Efe found along the way. That letter is the Y.

a brand story by Naz

Efe Obada Foundation mark

I designed this identity for the Efe Obada Foundation, which supports children in the care system. I admire what it stands for: paying it forward and being a role model to young people. Efe's NFL London Games Ring of Honour induction and the journey behind it shaped much of this work.

Efe and I share Nigerian roots and ties to Britain, and football has been part of both our journeys in the US and Europe, at very different levels.

This is the work I made for the foundation: the mark, the seal, the name plates, and a tee with a front and a back. Every element has a reason, and this page explains each one.

For
Efe Obada and the Efe Obada Foundation
Status
Final art

The idea

The story in one minute

The foundation's line is "Architect of My Destiny", and it supports children in the care system by helping transform young lives. I built the storyboard and every design from those two facts, while capturing Efe's journey.

Two homes

Efe was born in Nigeria, lived in the Netherlands, and grew up in Britain. I put the emphasis on Nigeria and Britain. The mark does not choose between these places. It takes one symbol from each, an eagle for Nigeria and a lion for Britain, and puts them on one letter.

One thing chosen

Efe found and chose football at 22. That is why the football in the mark is small, gold and set apart. I feel the other parts of the journey were set or shaped by circumstance.

An architect's drawing

The tee back turns the tagline into a visual analogy. A crane lowers the last letter of DESTINY into place, and that letter is the Y from the mark. The final piece of the destiny Efe built is the mark itself.

The mark

The Y, the wing, the mane, the ball, and the colors and type around them

Procreate sketch of a block letter Y with feathered wing on the left arm, flowing mane on the right arm and a laced football in the V12345
Plate A. First sketch of the mark. The numbers match the notes next to it. The blue is just the working ink and means nothing.
  1. 1

    The Y

    What you see: a heavy block Y with a clean fork.

    Why I used it
    The Y comes straight from Nigeria's coat of arms, where it stands for the Niger and Benue rivers meeting. I liked that a letter could be a river junction, so Nigeria is in the mark without needing a flag.
    What it says
    Two rivers meet and become one. That is Efe: two places in one person. The fork is also a point where anyone chooses a direction, which fits a foundation that supports children in care.
    Where it came from
    The coat of arms and the map of the rivers. I made the shape thick, like a jersey number, so it holds up on a T shirt chest or a cap.
  2. 2

    The Eagle Wing

    What you see: six long pointed feathers sweeping up and out of the left arm.

    Why I used it
    An eagle stands at the top of Nigeria's coat of arms, so the wing on the left arm represents Nigeria.
    What it says
    Strength, sight and rising. The feathers lift up and away from the letter, so it reads as taking off and not as decoration. Everything Efe has built rose from where it began.
    Where it came from
    The eagle on the coat of arms. I kept the feathers long and swept back so they suggest flight, a nod to the journey across countries.
  3. 3

    The Lion Mane

    What you see: seven wavy, S shaped locks, longer toward the bottom.

    Why I used it
    A lion is a central figure on the British royal coat of arms, so the mane on the right arm represents Britain.
    What it says
    Courage and pride. The wing lifts while the mane flows down and out, so the two sides balance each other. I curled the tips so it cannot be mistaken for antlers or flames.
    Where it came from
    The heraldic lion and a real mane in motion.
  4. 4

    The Football

    What you see: a small laced football floating in the V.

    Why I used it
    It sits where the two arms meet, so it is what Nigeria and Britain produced together. Efe found football at 22, so I kept it small and set apart instead of making it a big badge.
    What it says
    Everything else in the mark comes from where Efe is from. The ball is the one thing Efe chose. I tilted it so it looks thrown or just caught.
    Where it came from
    A single laced football is the clearest football symbol and stays readable when small. It also keeps the mark free of any NFL shield or league shape.
  5. 5

    The Split Stem

    What you see: a center line running down the stem.

    Why I used it
    A line down the middle lets the colored versions use two colors in one letter, like a split flag.
    What it says
    Two homes, one body. Both halves are the same size, so neither country sits above the other. The stem is also the base everything stands on, which ties into the foundation idea.
    Where it came from
    The green, white and green vertical stripes of the Nigerian flag.

Color

Four colors, and each one has a job

My sketch is a single blue line, so this is where I explain the final colors. I avoided NFL blue and anything that looks like a league logo on purpose.

Night
#0c0e10

The ground, and the mane on light. Stadium at night and fresh ink. It makes the green and bone glow, works on black tees, and carries the mane on light backgrounds.

Bone
#f3efe6

The mane and the second half. A warm white that echoes the white stripe of the Nigerian flag.

Naija Green
#008751

The wing and the first half. Straight from the Nigerian flag. It is the home color and the strongest one in the mark.

Gold
#c8a24a

The football only. The one thing found by choice. It also nods to the NFL London Games Ring of Honour induction.

Night about 60%Bone about 15%Naija Green about 20%Gold about 5%

The gold rule. Gold stays around 5% and never touches the wing, the mane or the stem. Because it appears only once, the eye goes to the football first. I also never use more than three colors on one piece.

Type

The words that sit with the mark

The sketch has no text yet. Here is what goes beside it and why it was chosen.

Headlines
Efe Obada

Big Shoulders Display. Tall, narrow and heavy, like the numbers on a jersey. You can read it from far away, and it feels like sport.

Body and tagline
Architect of my destiny

Inter. Plain and calm. Wide spacing lets the tagline sit quietly under a loud mark.

Signature
Efe

Efe's own handwriting. For the final version, I would like to use a traced scan of Efe's real handwriting. The font shown is only a placeholder.

The finished mark

One drawing, four colorways

Now it is inked and colored. The drawing never changes. Only the colors do, depending on the background.

Mark in Night with gold football on bone
B1 · Night and GoldFor light backgrounds, embroidery, stamps, foil and single ink prints. The ball stays gold.
Mark in bone with gold football on night
B2 · Bone and GoldFor black tees, hats and dark screens. It's the Night version flipped.
Mark with green left half and wing, night right half and mane, on bone
B3 · Flag split on lightGreen wing and left stem, Night mane and right stem. My main full color version for light backgrounds.
Mark with green left half and wing, bone right half and mane, on night
B4 · Flag split on darkGreen wing and left stem, Bone mane and right stem. My main full color version for dark backgrounds.

How the colors switch. Nigeria stays green on every version that has color. Britain switches between Night and Bone so it always has contrast with the background. The football stays gold with Night laces, so the one gold thing never moves. I never put Bone on white because it disappears.

Sketch to final

What changed from my sketch

The sketch already had the whole idea. This is what changed when I inked and colored it.

ElementIn my sketchIn the final
The YIn my sketchOutlined with double linesIn the finalSolid filled shape with softly rounded corners, same proportions
WingIn my sketchSix or seven loose feathersIn the finalSix feathers, longest at the top, with clean gaps. Filled Naija Green in the full color versions.
ManeIn my sketchSeven or eight S curls, longer at the bottomIn the finalSeven S curled locks with the same length pattern. Night on light backgrounds, Bone on dark.
FootballIn my sketchOutlined, tilted, lacedIn the finalSolid Gold with Night laces, same tilt, with small gaps cut into the shape so it reads as a ball in motion
StemIn my sketchCenter lineIn the finalLeft half Green, right half Night or Bone, with a thin seam down the middle
BalanceIn my sketchWing a little more open than maneIn the finalBoth sides matched in weight so neither country leads

The roundel

The seal

The roundel is the mark turned into a stamp. I made it for places where a logo has to act like a badge: a left chest embroidery, a cap, a sticker, a profile picture.

Roundel in Night on bone with the mark in the center
R1 · Night on lightThe base version. Ink rings and text with the Green and Night mark inside.
Roundel in Bone on night with the mark in the center
R2 · Bone on darkThe same seal on Night. Rings and text flip to Bone and so does the mane.
Roundel in Green line on bone with the mark in the center
R3 · Green lineAll the ring work in Naija Green with no fill. Softer and more Nigerian, for light backgrounds.
Roundel as a solid green disc with bone text and the mark in bone and night
R4 · Green filledA solid green patch with Bone text. The mark recolors so it stays readable on green.
  1. a

    The ring text

    What it is
    EFE OBADA FOUNDATION across the top and ARCHITECT OF MY DESTINY along the bottom. Both lines read left to right and sit right side up, so nothing is upside down.
    Why I did it
    The top says who. The bottom says what the foundation stands for. The tagline is the foundation's, and it sits closest to the ground.
    Where it came from
    Notary stamps, workshop marks and college seals. A circle feels official, and you can stitch it, press it or stamp it.
  2. b

    The two rings

    What it is
    A heavier outer ring and a thin inner ring, with the text in the band between them.
    What it says
    The outer ring is the boundary wall and the inner ring marks the plot the mark stands on. I borrowed this from site plans, which connects to the architect idea on the back of the tee.
  3. c

    The gold dots

    What it is
    Two small gold dots at the left and right edges of the ring.
    What it says
    One sits on the wing side and one on the mane side, so they stand for the two homes. They also split the top text from the bottom text.
    Why gold
    They follow my gold rule. Gold stays small and rare, the same weight as the football, so the roundel never turns into a gold badge.
  4. d

    The center

    What it is
    The mark sits on top, with EFE OBADA in heavy type under it and FOUNDATION in spaced out Inter below that.
    Why I did it
    The mark is the crest and the name is the signature under it. The ring text becomes too small to read at tiny sizes, so the center name stays short and strong.
  5. e

    Why the mark changes on green

    What I did
    On the filled green roundel the wing and left stem turn Bone, the mane and right stem turn Night, and the football stays Gold.
    Why
    A green wing on a green disc would disappear. Flipping it keeps the split readable while the disc itself carries the Nigerian green.

The lockups

Name, mark and tagline, three ways

A lockup locks the pieces together so nobody has to rebuild them each time. Each one comes in a version for light backgrounds and one for dark.

Stacked lockup on bone with the mark above the name
L1 · Stacked on lightMark centered over the name, then FOUNDATION, a gold rule and the tagline.
Stacked lockup on night with the mark above the name
L1 · Stacked on darkThe same lockup in Bone with the Green and Bone mark.
Horizontal lockup on bone with the mark on the left and the name stacked on the right
L2 · Horizontal with mark, lightMark on the left, EFE over OBADA, FOUNDATION spaced out underneath.
Horizontal lockup on night with the mark on the left and the name stacked on the right
L2 · Horizontal with mark, darkThe same lockup in Bone with the Green and Bone mark.
Text only horizontal lockup on bone
L3 · Text only, lightThe name on one line, a gold divider, FOUNDATION over the tagline.
Text only horizontal lockup on night
L3 · Text only, darkThe same name plate in Bone.
  1. L1

    Stacked

    How it's built
    Mark on top, EFE OBADA in the heaviest weight, FOUNDATION stretched to exactly the same width, a short gold rule, then the tagline.
    Why I did it
    Matching the widths makes it one solid block, like a plaque. The name is loud, FOUNDATION is quieter and the tagline is quietest, so the order is clear at a glance.
    Where to use it
    Covers, posters, letterheads and the top of a page.
  2. L2

    Horizontal with mark

    How it's built
    Mark on the left, the name split into EFE above OBADA, and FOUNDATION spaced out underneath to match the width of OBADA.
    Why I did it
    Splitting the name lets the type match the height of the mark, so they read as one unit instead of a logo sitting next to a caption.
    Where to use it
    Website headers, email signatures and banners, anywhere the space is wide and short.
  3. L3

    Text only

    How it's built
    EFE OBADA on one line, a thin gold divider, and FOUNDATION over the tagline on the right.
    Why I did it
    Some places already have the mark nearby or have no room for it, like a name tape, a footer or a sponsor line. This keeps the typeface and the gold detail without repeating the mark.
    The gold
    The divider and the rule in the stacked lockup are the only gold in the lockups. They are a small echo of the football.

The tee front

Quiet on the front, loud on the back

The front carries one small thing and nothing else. That keeps the back as the statement and lets the front work as a clean, wearable shirt. I made two options. Pick one, not both.

Roundel in Bone on night
Option A · Roundel on the left chestThe seal at about 3.5 inches across, over the wearer's heart. It reads like a club crest on a jersey.
Horizontal lockup in Bone and green on night
Option B · Horizontal lockup, centeredThe mark with the name beside it, centered high on the chest at about 4 to 5 inches wide. A more direct, brand forward option.
  1. a

    Why the roundel

    The reason
    A left chest seal is the oldest place for a team or club badge. It tells people who made or backs the shirt without shouting, and it never competes with the back.
    The detail
    At 3.5 inches the ring text is still readable up close, and the mark in the center is readable from across a room.
  2. b

    Why the horizontal lockup

    The reason
    Some people will want the name on the front. The horizontal lockup puts the mark and the name together at a size that works in photos.
    The detail
    Everything on the front stays in the brand colors, and I keep clear space around it equal to the width of the football. No NFL marks or league logos appear anywhere.
  3. c

    Colors on the front

    Black tee
    Roundel R2 or lockup L2 in Bone, with the Naija Green wing and the gold football.
    White tee
    Roundel R1 or lockup L2 for light backgrounds, in Night with the Naija Green wing and the gold football.

The tee back

Project Destiny, drawn like a blueprint

The back is a full graphic made as an architect's drawing sheet. The tagline is the headline, the picture is a building site, and the story is built into the wall. Below is the finished board, then each piece explained in the order I would read it.

Finished back board on black: the words Architect of My, the word DESTIN in brick letters with a dashed slot for the Y, a crane lowering a green brick Y, a brick wall with callout numbers, a foundatio
Dark boardFor black and dark tees. The black in this file is the shirt itself, so the real print file is transparent.
The same finished back board on white with Night ink instead of Bone
White boardFor white and light tees. Bone and Night swap places so every line keeps its contrast. The design does not change.

How to read it. Start at the headline, follow the crane down to the open slot, then look at the wall and its numbered bricks, then the slab it stands on, and finish with the key and the title block along the bottom. The story runs from the idea down to the ground it was built from.

The word DESTIN in brick letters with a dashed outline where the Y belongs
Piece 1

The headline and the missing letter

What you see
ARCHITECT OF MY in solid type, then DESTIN built out of bricks, and an empty dashed outline where the last letter belongs.
What it says
The foundation's tagline is Architect of My Destiny. I show it literally. Destiny is being built, brick by brick, and it is not finished yet. One piece is still in the air.
Why bricks
Brick is the material of the wall below and of the foundation idea. A word made of bricks reads as something built, which is the whole point of the line.
A crane lowering a green brick Y on a hook, with the handwritten note the final piece
Piece 2

The crane and the Y

What you see
A tower crane lowering a green Y made of bricks, with the handwritten note "the final piece" beside it.
What it says
The last letter of DESTINY is the Y from the mark, in Naija Green. The one letter that holds both homes completes the word. The mark is not stamped on the shirt as an extra. It finishes the sentence.
The note
The handwriting is an architect's markup on a drawing. In the final version I would like to replace it with Efe's real handwriting, traced from a scan.
A brick wall with the initials DAL, KC and ATL, a green 22 brick, and numbered callout markers on a blue brick and an orange brick
Piece 3

The wall and its numbered bricks

What you see
A long brick wall. Five small numbered markers point to bricks that tell Efe's story, the way a blueprint marks the details that matter.
What it says
The wall is Efe's career and life, built one course at a time. The numbers match the key at the bottom of the sheet.
The initials
DAL, KC and ATL are stamped into the wall as initials. They stand for the Dallas Cowboys, the Kansas City Chiefs and the Atlanta Falcons, the three teams that released Efe before the breakthrough. Each setback is now part of the structure.
A hatched foundation slab with tumbled letters reading Product of My Environment
Piece 4

The foundation slab

What you see
A hatched concrete slab under the wall, with the words PRODUCT OF MY ENVIRONMENT in uneven, tumbled letters.
What it says
Where Efe started is the ground everything stands on. The letters are rough and mismatched, like broken material used as a footing, yet the whole wall rests on it and does not move.
Why I did it this way
I did not want it to read as pity. It reads as material. This is what the wall was built from, and it is part of why the wall is strong.
The key, the Detail A route and the title block along the bottom of the sheet
Piece 5

The key, the route and the title block

The key
Five short lines, numbered to match the bricks. They are explained in full below.
Detail A, the route
A dotted line from WARRI to NLD to GBR to USA, the Nigeria, Netherlands, Britain and America Efe has lived in. WARRI is in green, because it is home. The year 2015 is marked in gold, the year the first NFL contract began.
The title block
Every real drawing has one. Mine shows the mark, EFE OBADA FOUNDATION, and PROJECT DESTINY. DWG NO. 94 is the jersey number Efe wore. SHEET 53 is the 53 man roster Efe broke through to. DATE 2015 is the year the NFL path began.

Print

Built to go straight to a screen printer

These are the numbers I used so the back fits a normal shirt and the files hold up at full size.

Canvas
12 × 17 in

3600 × 5100 pixels at 300 PPI. The ratio matches the drawing, so nothing is stretched.

Back print area
12 to 14 in wide

A standard back print runs 12 to 14 inches wide and 16 to 18 inches tall. If a printer's frame is 12 × 16 inches, scale the whole file down evenly to about 11.3 × 16 inches.

Placement
3 in below the collar

Center the board on the shirt, starting about three inches below the neck seam.

Files
Transparent PNG

The black on the dark board is the shirt, so the print file has a clear background. Separate files exist for every text piece, the empty blueprint, and every element.

Inks
Bone, Green, Gold

The brand inks on a Night tee. The two accent bricks, numbers 4 and 5, are extra colors. If the printer charges by the ink, they can print in Gold and Bone instead.

White tees
Night on white

Use the white board. Gold prints lighter on white, so for white tees only I can use a deeper gold, #9A7A2B.

One test before a full run. The brick texture has fine mortar lines. Print one sample at full size first. If the lines fill in, I open them up to 1.5 point and resend the file.

Quick guide

Which version goes where

These are my suggestions as a starting point. A team can pick its own primary versions.

VersionBackgroundGood for
Mark B3 Flag splitBackgroundBone, white, light photosGood forMy main full color use on light
Mark B4 Flag splitBackgroundNight, dark photosGood forMy main full color use on dark
Mark B1 Night and GoldBackgroundLightGood forEmbroidery, stamps, foil, one ink prints
Mark B2 Bone and GoldBackgroundBlack tees and caps, dark screensGood forMerch and social
Roundel R1, R2BackgroundLight, darkGood forLeft chest, stickers, profile picture
Roundel R3, R4BackgroundLight for R3, any for R4Good forCaps, jackets, patches, event signs
Lockup L1 StackedBackgroundLight, darkGood forCovers, posters, letterheads
Lockup L2 HorizontalBackgroundLight, darkGood forWeb headers, signatures, banners
Lockup L3 Text onlyBackgroundLight, darkGood forName tapes, footers, sponsor lines
Back board, darkBackgroundBlack and dark teesGood forThe full tee back, as a transparent print file
Back board, whiteBackgroundWhite and light teesGood forThe same tee back with Bone and Night swapped